From my journal....
Son of the Sheik is a movie made when Rudy had been officially divorced from Natasha. He traveled all the way to Europe in hopes of getting her back. They had one meeting, and I wish there was some record of what was said between them. Words spoken on this day would end them. Not to mention what Rudy must have been thinking on his long boat trip back to America.
I can only imagine that it was about reclaiming his success at the box office, and winning over his fans and winning them back to him, as closely as he could, and you know the days of his Sheik like captivity must have played in his thoughts on the one way it was possible.
For so many years, I believe, Natasha poisoned Rudy's mind against his own movies, especially most of all, the Sheik. And because of her he turned away from it, and thus somewhat from the fans who loved it. He referred to the movie in an interview as a "mess" --- this movie, that gave so many, legions upon legions, of his fans pleasure, terrific pleasure.
Maybe on that boat ride home, he had some guilt to confront, realizing he threw over his fans so easily for Natasha.
And maybe he felt a little foolish too, being so blinded by love and to sacrifice so much, for a love that he lost so easily --- as soon as he could no longer carry the weight of it's obligations on him, even after all his hard work of trying so hard too and in many ways succeeded, he was unable to give it a life of it's own ... and so it was crushed under the weight he could no longer bear.
So, the Son of the Sheik brings us a totally different Rudy and a deeper more emotional charged performance ever shown on film by him. Here he unleashes all of himself on the screen with so much intent and determination it's almost cruel. Rudy was determined to recapture the fans he lost through the course of his marriage to Natasha. Although the Eagle brings a freed and broken Rudy to us (and a delightful performance too) it was the Son of the Sheik he had every intention in reclaiming his place and that was at the top of the hearts of his audience who had sought him so feverlishly before. And he pulled out all the stops. Natasha no longer in the corner pulling strings and in some sense immasculating him, he came to this movie full throttle.
And so when I think of it, it is almost cruel (and deliciously so). Almsot as if when Ahmed swings Yasmin to the ground holding her wrist as she pleads with him from the floor, Rudy was acting out of some thought with his own experience with his fans, who he felt had also betrayed and abandoned him, and even maybe he felt that his fans that professed their undying love for him also had something to do with the break up of his marriage because they did not, even with all their flowery and poetic letters, (filled with passionate love they claimed for him) show up at his movies that would have made him and Natasha a success.
And just like Yasmin who Ahmed believed betrayed him, although not directly inflicting the wounds that would cause his torment, Rudy may have also believed his fans indirectly caused it all to happen.
***
Some times I think Rudy, on his death bed, cursed all his fans to him. Vowing "they will never forget" and it's true, we never will.
I can only imagine that it was about reclaiming his success at the box office, and winning over his fans and winning them back to him, as closely as he could, and you know the days of his Sheik like captivity must have played in his thoughts on the one way it was possible.
For so many years, I believe, Natasha poisoned Rudy's mind against his own movies, especially most of all, the Sheik. And because of her he turned away from it, and thus somewhat from the fans who loved it. He referred to the movie in an interview as a "mess" --- this movie, that gave so many, legions upon legions, of his fans pleasure, terrific pleasure.
Maybe on that boat ride home, he had some guilt to confront, realizing he threw over his fans so easily for Natasha.
And maybe he felt a little foolish too, being so blinded by love and to sacrifice so much, for a love that he lost so easily --- as soon as he could no longer carry the weight of it's obligations on him, even after all his hard work of trying so hard too and in many ways succeeded, he was unable to give it a life of it's own ... and so it was crushed under the weight he could no longer bear.
So, the Son of the Sheik brings us a totally different Rudy and a deeper more emotional charged performance ever shown on film by him. Here he unleashes all of himself on the screen with so much intent and determination it's almost cruel. Rudy was determined to recapture the fans he lost through the course of his marriage to Natasha. Although the Eagle brings a freed and broken Rudy to us (and a delightful performance too) it was the Son of the Sheik he had every intention in reclaiming his place and that was at the top of the hearts of his audience who had sought him so feverlishly before. And he pulled out all the stops. Natasha no longer in the corner pulling strings and in some sense immasculating him, he came to this movie full throttle.
And so when I think of it, it is almost cruel (and deliciously so). Almsot as if when Ahmed swings Yasmin to the ground holding her wrist as she pleads with him from the floor, Rudy was acting out of some thought with his own experience with his fans, who he felt had also betrayed and abandoned him, and even maybe he felt that his fans that professed their undying love for him also had something to do with the break up of his marriage because they did not, even with all their flowery and poetic letters, (filled with passionate love they claimed for him) show up at his movies that would have made him and Natasha a success.
And just like Yasmin who Ahmed believed betrayed him, although not directly inflicting the wounds that would cause his torment, Rudy may have also believed his fans indirectly caused it all to happen.
***
Some times I think Rudy, on his death bed, cursed all his fans to him. Vowing "they will never forget" and it's true, we never will.
Labels: journal